A friend asked me recently why I wrote, in my “about” profile,
that I was “increasingly exploring how to go beyond social rules and
conditioning".
Milgram’s famous experiment on obedience to authority – the inspiration for Peter Gabriel’s “We do what we’re told (Migrams 37)” - shows just how much people will compromise principles and just do something because someone else ordered it- to do something because they will “fit in” to expectations. In Milgram’s experiment 18, 37 out of 40 people fully participated in an experiment to shock someone up to 450 volts (the person being "shocked" was actually an actor), even though the information they were given was that this level of shock had major risks for the subject. This experiment has been repeated over the years with consistent results and no bias among men and women.
Comforming to the “rules” of the family, to the rules of the particular culture. Doing what is expected to fit in. Much as we think we are independent thinkers and doers, the truth is we often do that which we are told to do, that which we believe to be acceptable, that which helps us fit in with our friends, peer group, community and society. And we start learning this as very small children - what is OK and not OK in this family, in this school, in this group of friends. (And it is ironic that the countries which particularly emphasise personal and individual freedom and democracy – not least the USA and the UK, are also particularly adept at attempting at trying to brainwash us into doing "what we are told", that there is "one voice" and "one truth" – and that’s of western capitalism).
I digress. I started this weblog entry thinking about personal conformity. Lots of rules for me to unpack and re-examine – some easier than others - but perhaps most centrally for me just right now is those given to me in early childhood. What was OK in my family was not to be needy. To keep a stiff upper lip in adversity, to keep smiling, to keep quiet when you wanted to scream and cry out in pain, to be self-sufficient, to be healthy and not to be too much bother. To be a “good baby” or a “good child” meant to play happily by myself; not to expect anyone to be there in my pain… to experience that ultimate existential aloneness which leads me occasionally, even now, into those feelings of desolation and despair. That I have “no value” and may as well die.
Is it any surprise I find it difficult to sing (asks Alexander in my voice session yesterday). That if I made a loud noise - maybe of joy and excitement, or maybe screams of pain or anger - then I was not a “good child”. I was too much. So is it now “too much” for me to speak or sing with my own authentic voice; to stand in the sacred circle and really be heard? To let go of expectations about how I will be heard or what the feedback might be. To risk being “too much”. And to risk that, in making my own - maybe very loud - sound, that I will be met and really seen. To move into intimacy “Into- Me – See”
Its appropriate to list this morning another Rokia Traore song. Not only is the style of her singing distinct, but so are the poetry and social consciousness of her lyrics, which often urge women, in Africa and everywhere, to find their strength and transcend the confines of conventional gender roles.
The track is called "Kote Don" in native Bamabara. Listen to the first minute HERE - though this clip does not do the track justice at all- its a fantastic dance piece which just builds and builds, lasting nearly six minutes.
Kote Don
Rokia Traore
My joy de
vivre is taken as shamelessness
My thirst
for change for pretension
Faced
with my curiosity, my quest for the new
Conservative
minds spread slander
And
question everything that
my times
are about
But don’t
listed to malicious gossip
It would
be a waste of time
Yourth is
ephemeral
Lets celebrate and dance the Kote
Ever changing, I dislike what is rigid, set
What
"is" without knowing why
All that
is hierarchical, static.
I respect
my ancestors
But
tradition is not infallible
It is not absolute.
Time passes, we all change
Nothing remains the same.
This is for you, young people
Let's
dance the kote.
Let's make the most of our time, let's celebrate.
From philosophy to science
Biology to history
I master the knowledge transmitted to me.
Nevertheless
The ancients reproach me for my curiosity
But it is true that I am the tightrope walker
Perched high on a wire
Overlooking disparity
The encounter between the culture of my ancestors
Where knowledge is transmitted in secret
Where the unsaid is fundamental
Since the world is sacred
And that of my modern education
Where nothing that is thought is inexpressible







