
Up to Vathi.. "Big Vathi", as its known, to distinguish it from the Vathi on Meganissy ("Little Vathi"). Its getting hotter and stiller, so inevitably we motor.
The pilot book is not hugely encouraging about mooring at Vathi, mentioning it as a very windy spot with one quay usually occupied by flotillas and another with very deep approaches. What it fails to mention is the large and shallow anchorage just off the quays in the southern half of the harbour in which we, and many other yachts, manage easily to free anchor. I have to admit to avoiding coming here last year because of the pilot book.. and actually there's loads of space and its very easy. Perhaps we also get a good day with the wind, because that's fairly benign too.
A wander round the town reveals some interesting shops, including,at last, some selling original art work rather than the inevitable tourist tat.
One of the things I like to do is to buy some art work from each country I visit so that when i finish this journey, I will have a little something to remember when <<I'm sitting in my rocking chair reminiscing. In France it was some glorious blue pottery from Roche Bernard. Portugal.. some painted egg cups. Morocco.. the inevitable rug. Spain came up with a lovely original ceramic/watercolour by a Barcelona artist, dating from the turn of the century (bought in a car boot sale for 3 Eu!). Italy.. well Sicily.. a book on Byzantine Mosaics. So far, nothing from Greece, though I do have plans for a terracotta pot.
Walking down the back streets, we come across an artist selling hand crafted metal work sculptures of olive tress, birds and other things. He turns out to be an ex member of the Greek sailing team. His family ran olive farms on Ithaca, but that no longer pays.. so he has become an artist.
One particular piece captures my imagination. Its an olive wreath with leaves made from beaten silver and copper, with two copper and brass doves. He tells me it is inspired by his family.. the long history of olive farming, sadly no longer economic, and symbols of peace. He calls it "Freedom".
I did not encounter Athena at the spring, but I encounter her here. Athena is the greek Goddess of wisdom, civilization, warfare, strength, strategy, female arts, crafts, justice and skill., and according to one myth,competed with Poseidon to be the patron deity of Athens, which was yet unnamed. They agreed that each would give the Athenians one gift and that the Athenians would choose the gift they preferred. Poseidon struck the ground with his trident and a spring sprang up; this gave them a means of trade and water. But the water was salty and not very good for drinking. Athena, however, offered them the first domesticated olive tree. The Athenians accepted the olive tree and with it the patronage of Athena, for the olive tree brought wood, oil, and food.
I look at the wreath, and I'm filled with indescribable sense of beauty mingled with sadness. Athena has brought this to me as my symbol of Greece. The "Wild Birds" of the wreath echoing my Wild Bird, my boat. The olive branches..symbols of peace and freedom. The sense of things coming to an end, and new things beginning to replace what has been. A very apt metaphor for my soon to be ended time in Greece.